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The East Coast-West Coast hip hop rivalry was an on-going dispute in the early-mid 1990s rivalry between artists and fans of the East Coast and West Coast hip-hop scenes. Seeming focal points of the feud were west coast rapper 2Pac (and his label, Death Row Records), and east coast rapper The Notorious B.I.G. (and his label, Bad Boy Records.)
Background
During the late 1970s, Hip-hop emerged in the streets of New York City, which would remain the forefront of the genre throughout the 1980s and early 1990s. As the 1980s drew to a close, however, several west coast based acts such as: Ice-T, MC Hammer, N.W.A and The D.O.C. began garnering attention. In late 1992, rapper/producer Dr. Dre’s solo debut album, The Chronic, was released on the fledgling Death Row Records. Into the new year, the album went multi-platinum and proceeded to become one of the biggest selling hip hop albums up to that point. In late 1993, Death Row Records released Doggystyle, the debut album by Dr. Dre protégé and Long Beach-based Snoop Doggy Dogg, which too became a multi-platinum opus.
By early 1994, the quick success of Death Row Records (headed by Suge Knight and Dr. Dre) had effectively put a large media spotlight on Los Angeles and the west-coast hip-hop scene. New York and the east-coast hip-hop scene—by comparison—seemed at a commercial impasse, which created resentment amongst artists and fans.
Signs of the tension had already become apparent when, in 1991, east coast based rapper Tim Dog released “Fuck Compton,” which caused rip-waves as it was aimed at N.W.A. Many rappers hailing from Compton and the Los Angeles area took this as an overall affront on their scene, sparking a flurry of retaliatory slanders from; Compton's Most Wanted, who retaliated on “Who's Fucking Who,” DJ Quik who retaliated on “The Last Word” and “Way 2 Fonky,” and Snoop Dogg who retaliated on Dr. Dre’s hit song “Fuck Wit Dre Day.”
The Rivalry
Suge Knight vs. Puff Daddy
| “ | "Any artists out there who wants to be an artist and stay a star, and don't wanna have to worry about the executive producer trying to be…all in the videos, all on the records, dancing…come to Death Row!" — Suge Knight @ The 1995 Source Awards | ” |
In 1993, fledgling A&R executive and record producer Sean “Puffy” Combs founded the New York-centered hip-hop label, Bad Boy Records. The next year, the label’s debut releases by Brooklyn-based rapper Christopher “The Notorious B.I.G.” Wallace (also referred to as ‘Biggie Smalls’) and South Bronx-based rapper Craig Mack became immediate critical and commercial successes, and seemed to revitalize the east coast hip-hop scene by 1995. Death Row Records weren’t contented about its iron grip on the commercial hip-hop scene now being challenged by the emergence of Bad Boy. Oakland-based rapper Tupac “2Pac” Shakur, meanwhile, forged an embittered rivalry with Biggie—publicly accusing he and Combs of having facilitated his being robbed and shot five times in the lobby of a New York recording studio in late 1994. Shortly after 2Pac’s shooting, Who Shot Ya? a b-side track from the Big Poppa single from Ready to Die, was released. Although Combs and Wallace emphatically denied having anything to do with the shooting and insisted that “Who Shot Ya” had been recorded before his shooting, 2Pac interpreted it as BIG’s way of taunting him, and claimed it proved that Bad Boy had set him up.
In August 1995, Death Row CEO Suge Knight mocked Bad Boy CEO Sean “Puffy” Combs at that year's Source Awards, announcing to the assembly of artists and industry figures, “Any artist out there that want to be an artist and stay a star, and don’t have to worry about the executive producer trying to be all in the videos…all on the records…dancing, come to Death Row”—a direct reference to Combs’ tendency of ad-libbing on his artists’ songs and dancing in their videos. With the ceremony being held in New York, to the audience, Knight’s comments seemed a slight to the entire east-coast hip-hop scene, and resulted in a heavy mass of boos from the crowd. Combs attempted to defuse the growing hostility in the air with a speech denouncing the rivalry, to little avail. Later that evening, a performance by Dr. Dre and Snoop Dogg was jeered by New Yorkers in attendance, to which Snoop famously responded, “The east coast ain’t got no love for Dr. Dre and Snoop Dogg and Death Row?!”
Tensions were escalated when Knight later attended a party for producer Jermaine Dupri in Atlanta. During the bash, a close friend of Suge’s was fatally shot outside. Knight accused Combs—who was also in attendance—of having something to do with the shooting. The same year, Knight posted the 1.4-million dollar bail of the then-incarcerated 2Pac, in exchange for his signing with Death Row Records. Shortly after the rapper's release in October 1995, he proceeded to join Knight in openly slandering Bad Boy Records.
In 1996, the Death Row act Tha Dogg Pound released a music video for their single “New York, New York” in which they are seen knocking over New York skyscrapers and landmarks, a gesture to which many east coast artists and music fans took offense. This led to suspicion that the song itself was targeted at Bad Boy Records and New York in general. Queens, New York-based artists Capone-N-Noreaga and Mobb Deep responded with the released of “L.A., L.A.” aimed at Tha Dogg Pound. In the music video, members of Tha Dogg Pound are kidnapped and thrown off the Queensboro Bridge.
2Pac vs. Biggie
| “ | "Who shot me? But your punks didn’t finish, Now you ‘bout to feel the wrath of a menace…nigga, I hit ‘em up' — Tupac Shakur | ” |
From late 1995 into early 1996, 2Pac would appear on numerous tracks aiming threatening and/or antagonistic slants at the Notorious B.I.G., Bad Boy as a label, and anyone affiliated with them. During this time, although B.I.G. never directly responded, the media became heavily involved and dubbed the rivalry a “coastal rap war,” reporting on it continuously. This caused fans from both scenes to take sides with one set of artists or another.
In spring 1996, the music video for 2Pac’s song, “2 of Amerikaz Most Wanted” began with a lampooning of Biggie and Combs, in which 2Pac and his guards pull pistols from their jackets ready to shoot them as the song intro begins. That summer, 2Pac continued his antagonism toward Biggie with the infamous track “Hit 'Em Up,” in which he claimed to have had sex with the Notorious B.I.G's wife, singer Faith Evans, and proceeded to threaten the lives of Biggie and Puffy. The song’s personal content was viewed by detractors as Shakur having gone too far, and taking the feud to another level.
2Pac vs. others
In addition to Biggie, in “Hit ‘Em Up” Pac also slandered Mobb Deep and New Jersey-based rapper Chino XL, who joked that 2Pac had been raped in jail on his song “Riiiot!” 2pac only responded with the line “Chino XL, fuck you too,” saying it would be his only diss, because he felt Chino XL was trying to gain fame by slurring him.
During his incarceration, members of 2Pac’s group Dramacydal allegedly attended a Mobb Deep concert. They then visited 2Pac, maintaining that the duo had snubbed them at the concert. Through his associates, 2Pac sent out a message to Mobb Deep, threatening violence.[citation needed] In “Hit ‘Em Up,” 2Pac made reference to Mobb Deep member Prodigy’s struggle with sickle cell anemia. Mobb Deep responded with the track, “Drop A Gem On ‘Em.”
2Pac would later go on to insult various others, including: Chicago, Illinois-based rapper, Da Brat, her label So So Def Recordings, and New Jersey-based group The Fugees as well. During this time, 2Pac met Nas and purportedly told him he didn’t have to be involved in the situation—however, a Nas radio freestyle seemingly slighting 2Pac, and several direct Nas slights from Shakur to Nas would both eventually turn up.[citation needed] On the introduction to Shakur’s final studio album, The Don Killuminati: The 7 Day Theory, he would bill Nas as the leader of a conspiracy against him, which included several of the artists he was having contentions with.
Though 2Pac, his group The Outlawz, Snoop Dogg, and Tha Dogg Pound had all been involved in the discord, several Death Row artists refused to follow suit. Lady of Rage stated in an AllHipHop.com interview that 2Pac called her “the weak link on Death Row”[1] for not slandering Bad Boy. Death Row co-founder Dr. Dre also snubbed the bad blood, and collaborated with Nas shortly thereafter. Snoop Dogg purports that he and 2Pac weren’t speaking during his final days, because Snoop stated in an interview that he liked listening to Biggie’s music.[citation needed]
Rapper Jay-Z would also become embroiled in the rivalry when, in an appearance on Jay’s debut album Reasonable Doubt, Biggie recited the line: “If Faith have twins she’d probably have two Pacs, get it, 2… pacs…” in reference to the allegations that she had cheated on him with the rapper, though it’s unclear if he was snubbing her or 2Pac himself. Shakur took it as an affont and, since it was on Jay-Z’s song, went on to insult him as well. 2Pac originally called out Jay-Z during the outro of “Hit Em Up,” but later was convinced by Outlaw member, Hussein Fatal, that Jay was not part of the rivalry, and ultimately edited that part out. However, later in 1996, Pac would persist in slandering Jay-Z on the songs “Friends” and “Bomb First.” Posthumous material released underground following 2Pac’s death revealed that he had also slighted LL Cool J. Shakur dissed LL for releasing I Shot Ya which featured Shakur adversary Prodigy taunting Shakur in his verse.
End of the Feud
In March 1996, during the Soul Train Awards ceremony in Miami, there was a confrontation in the parking lot between the respective entourages of Bad Boy and Death Row in which guns were drawn.[citation needed] Although an armed standoff was all it amounted to, it was becoming readily apparent to hip hop fans and artists that the situation was progressing into a serious issue. Local papers referred to the situation as, “the hip hop version of the Cuban Missile Crisis.”[citation needed]
Not long after, at the VIBE awards in New York, Nas and 2Pac also confronted each other outside the venue. Though accounts from Suge, The Outlawz, Snoop Dogg and Nas himself somewhat vary, most agreed that 2Pac said he would remove the insults to Nas from his next album, if Nas would in return refrain from insulting him. Their previous verbal abuse were, as found in the meeting, based on publicity. The media’s sensationalizing of the East vs. West Coast rivalry fueled record sales high.[citation needed] Nas kept his end of the bargain, although 2Pac was killed before he was able to do the same.
On September 7, 1996 Tupac Shakur was shot several times in Las Vegas, Nevada; dying seven days later on Friday, September 13th. Six months later; on March 9, 1997, Notorious B.I.G. was shot and killed in Los Angeles, California. Both murders remain unsolved, and numerous theories about his death (some of them conspiracy theories) have sprung up. These include, most notoriously, that Shakur faked his own death.
Following the Rivalry
The outcome of the feud—significantly due to the deaths of Shakur and Wallace—would shake the culture of hip hop, changing the way rap rivalries were both handled by artists, viewed by fans, and reported on by the media. In 1997, several rappers, including: Bizzy Bone, Doug E. Fresh and Snoop Dogg met at the request of Louis Farrakhan, leader of the Nation of Islam, and pledged to forgive any slights that may be related to the rivalry and/or deaths of Shakur and Wallace.
Following the death of 2Pac, most of Death Row Records prominent artists departed the label. Afeni Shakur, Tupac’s mother, sued the label for allegedly cheating her son out of millions. Suge Knight, meanwhile, was incarcerated for unrelated probation violations. This bad turn for Death Row Records led, in turn, to a long lull in the mainstream popularity of West Coast rap, leading some west coast hip hop fans to believe that West Coast rap was being blacklisted. In 2005 Suge was released from prison, but his attempts to revitalize his label were largely futile.
Though Bad Boy Records hasn’t seen a collapse as steep as that of Death Row’s, it too has seen it’s fortunes decline. Rapper Ma$e achieved a good deal of success on the label before his early retirement in 1999. In the late 1990s, Bad Boy label head, Sean Combs (who now calls himself “Diddy”) began recording solo albums and has earned considerable commercial success as a recording artist. More recently, however, Bad Boy has struggled to remain commercially competitive, due to a lack of marketable talent and allegations that Combs is now more concerned with his other ventures (e.g., his Sean John clothing line.)
Though rivalries in hip-hop continue to exist, since the deaths of Shakur and Wallace, there has not been a rivalry of such magnitude—which may be due largely to the fact that, seeing the outcome of this episode, artists and prominent industry figures have been mindful of tempering battles and commercializing contention, in a direct attempt to prevent them from reaching this level.
No physically sustainable connection has been made connecting these artists murders to their rivalry at the time.
Participants
East Coast
| Participant | Based | Involvement |
|---|---|---|
| The Notorious B.I.G. | Brooklyn, New York | Once a friend of 2Pac, Shakur accused him and his crew of being involved in his 1994 shooting in New York, and proceeded to continually blast Biggie for the remainder of his life. Though Biggie never directly responded to 2Pac’s repeated slants, he released tracks such as “Who Shot Ya?,” “Long Kiss Goodnight,” and “What’s Beef,” which many believed contain subliminal jabs at the rapper (though his camp denies this.) |
| Junior Mafia | Brooklyn, New York | Subsidiary act of The Notorious B.I.G., which included: Lil' Cease and Lil' Kim. All were slighted by 2Pac and The Outlawz. According to the Notorious B.I.G.’s Behind The Music profile, the members of Junior Mafia intended to record an answer song to 2Pac’s insults, but were instructed not to by Biggie. |
| Mobb Deep | Queens, New York | a rap duo from Queens, New York. After having allegedly insulted 2Pac and his associates; 2Pac insulted them in interviews and on tracks. They later recorded an answer song. “Drop a Gem On 'Em.” The duo also appeared on the song “LA, LA,” a track in which Snoop Dogg and Tha Dogg Pound were slighted. |
| Capone-N-Noreaga | Queens, New York | Recorded the song “LA, LA” (which took jabs at Snoop Dogg and the Tha Dogg Pound) as in response to “New York, New York.” |
| Tim Dog | Bronx, New York | Tired of being overlooked as a result of the growing west-coast hip-hop movement, recorded the infamous underground track “Fuck Compton.” The track sparked a rip wave in the hip hop scene which led to many responses from West Coast artists. Was later answered back by various west-coast artists, including: Snoop Dogg, Comptons Most Wanted , and DJ Quik. |
| Ultramagnetic MCs | South Bronx, New York | A group of South Bronx Mcs that assisted Tim Dog on his debut album Penicillin on wax where they made numerous insults toward Compton and the West Coast in general. |
| Nas | Queens, New York | A radio freestyle from Nas allegedly contained subliminal insults levied at 2Pac, who in turn insulted him on songs and in interviews. Claims now speculate that the two later settled their differences prior to the other rapper’s death. |
| Jay-Z | Brooklyn, New York | An associate of The Notorious B.I.G., whose cameo appearance on Jay’s song “Brooklyn’s Finest” seemingly referenced 2Pac, who later insulted Jay-Z. Though he never publicly responded, Jay-Z later claimed that he had prepared a retaliatory song levied at 2pac, but didn’t release it due to Shakur’s death. |
| Common | Chicago, Illinois | Involved in a feud with West Coast rapper Ice Cube over his song "I Used To Love H.E.R.," which criticized the direction commercial hip-hop was taking—due to the influence of west-coast g-funk. Ice Cube jabbed Common on “Westside Slaughterhouse.” Common responded to Ice Cube’s insults with “The Bitch In Yoo.” The two have since ended their feud and made peace. |
| Chino XL | East Orange, New Jersey | Poked fun at 2Pac’s prison stint, claiming that the rapper had been raped while in jail, on his song “Riiiot!” 2Pac responded by proclaiming ‘Fuck you Chino XL’ on his song “Hit ‘Em Up.” |
| DMX | Yonkers, New York | Became embroiled in a feud with rapper Kurupt over DMX’s having slept with his one-time fiancé Foxy Brown. Kurupt insulted him on “Calling Out Names.” DMX responded with “Bring Your Whole Crew.“ Their feud has since ended. DMX also recorded a track called “Fuck That Nigga Pac,” which has never been released. However recently he made comment regarding the quality of West Coast Hip Hop that Crooked I took as disrespect and dissed X on a freestyle called "Im Throwed".[citation needed] |
[edit] West Coast
| Participant | Based | Involvement |
|---|---|---|
| 2Pac | Oakland, California | The east-west coastal rivalries most central and, arguably, most vocal figure. In the two years leading up to the his death, the rapper took potshots at various east coast rappers; most notably, The Notorious B.I.G. |
| Suge Knight | Los Angeles, California | C.E.O. of Death Row Records. His grudge against the success of the New York-based Bad Boy Records and its label head, Sean Combs, led him to sign 2Pac and (allegedly) encourage the coastal feud |
| The Outlawz | Essex County, New Jersey | New Jersey-based act, closely allied with 2Pac. The group often supported the rapper as he slandered his adversaries, and appeared on the infamous “Hit 'Em Up.” |
| Tha Dogg Pound | Long Beach, California | A duo of rappers on the Death Row Records roster, who in 1996 released “New York, New York”— a track in which many New York emcees took to be a slight to their city. |
| Kurupt | Long Beach, California | Member of Tha Dogg Pound, who became involved in a dispute with east coast rapper DMX over allegations of DMX having slept with Foxy Brown. Kurupt insulted him on “Calling Out Names.” Their feud has since ended. |
| Snoop Dogg | Long Beach, California | A former Death Row Records recording artist, who appeared with Tha Dogg Pound on the song “New York, New York.” He also slighted Bronx rapper Tim Dog on the Dr. Dre’s “Dre Day.” Has since denounced coastal feuding in hip-hop, and has gone on to collaborate with other artists based outside of the west coast scene. |
| Ice Cube | Los Angeles, California | Became embroiled in a feud with Chicago-based rapper Common, after he denounced the themes of west coast gangsta rap in his song “I Used To Love H.E.R.” Recorded the track “Westside Slaughterhouse” in response. Common answered back with the scalding track, “The Bitch In Yoo.” The two have since made peace. |
| Westside Connection | Los Angeles, California | A supergroup consisting of west coast hip-hop rappers Ice Cube, Mack 10, and WC. Recorded “ALL The Critics In New York,” and “West Up” in reaction to feeling that the east coast hip-hop community lacked respect for their coast. |
| Comptons Most Wanted | Compton, California | Slurred Bronx rapper Tim Dog for his song “Fuck Compton” on their track “Who’s Fucking Who.” |
| DJ Quik | Compton, California | Quarreled with rapper Tim Dog for his tracks: “Fuck Compton,” “DJ Quik Beat Down” and “Step To Me.” DJ Quik responded on “Way 2 Fonky” and “The Last Word.” |
| Tweedy Bird Loc | Compton, California | Countered rapper Tim Dog’s song “Fuck Compton” with his own slight, “Fuck The South Bronx.” |
Opposing artists
- Sean “Puffy” Combs; CEO of New York-based Bad Boy Records, and rapper. Primary target of 2Pac and Suge Knight during the middle 1990s; never publicly responded to the allegations, criticism and insults levied his way, and refused to allow any of his Bad Boy artists to lash back on record.
- Dr. Dre; former president of, and artist on, Death Row Records. Despite his participation with 2Pac on the west coast-centric “California Love,” actively attempted to denounce the conflict between opposing coasts, music fans, and artists. In 1996, assembled a collaboration of multi-coastal rappers (consisting of KRS-One, Nas, RBX, B-Real) tagged ‘Group Therapy’ to record the anti-coastal battle anthem, “East Coast/West Coast Killas.”
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